The goal in organizing museum exhibitions, as in collecting, running a gallery and — to cite the most obvious example — being an artist, should be individuation and difference, finding a voice of your own. Instead we’re getting example after example of squeaky-clean, well-made, intellectually decorous takes on that unruly early ’70s mix of Conceptual, Process, Performance, installation and language-based art that is most associated with the label Post-Minimalism."
Has the art scene been taken over by nerds? Of course she forgot to mention a major show of Art Trip
Post-Minimal to the Max here via Roberta Samith of the New York Times
